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Auditorium and Public Facilities
The auditorium seats a total of 930, with 534 in the
orchestra and 312 in the balcony and 84 in the loge.
All seats are numbered and may be sold on a reserved
seat or open seating basis.
Public restrooms are located on the mezzanine level
in the theatre, and in the Library Room. There is a
second ladie's restroom and, for those unable to climb
stairs, an additional restroom located on the main floor
at the rear of the auditorium.
Heating and Air Conditioning
Top
The theatre is heated with steam heat. All occupied
rooms in the building are heated, including the auditorium,
lobby, mezzanine, restrooms, stage, dressing room, control
booth, orchestra green room, Friends Room, and Library Room.
Air conditioning is available, but must be arranged
in advance. There is an extra charge for use of the
air conditioning. The Library Room is not air-conditioned.
Ticket Sales and Publicity Top
There is a box office (double window) in the lobby for
the sale of tickets at performance time. However the
lobby is not open to the public at other times, nor
is the box office staffed by theatre personnel at any
time, so other arrangements must be made for pre-performance
sales.
There are two display cases at the front entrance to
the Theatre where posters and other advertising may
be displayed.
Dressing Rooms Top
There are 7 dressing rooms in the backstage annex, directly
behind the stage. One is a 10x12-foot room on the first
floor, usually used by the lead performer. There is
one on the second level (8x12 feet), 4 on the third
level and one 12x16 foot room on the fourth floor. Each
of these dressing rooms contains a sink with cold water,
which has both hot and cold water, a clothes rack, dressing
table and mirror, several chairs, and electrical outlets.
In addition to the rooms above, there is a room in the
basement that is sometimes used as a dressing room by
larger companies. It has a makeup table with mirrors,
clothes rack, chairs, and electrical outlets, but no
sink.
A Clear Com wall biscuit is located at the first landing
in the dressing room staircase. There is a paging system
to all dressing rooms, the basement room and the hall
just outside the upstage door. There is a live send
from the front of stage as well as a paging mike at
stage right. Each speaker has a volume control.
Backstage Restrooms Top
There are 4 restrooms backstage. One is in the onstage
dressing room and another one opens off the backstage
hall. There are two more on the second floor. They have
cold water. There are no showers in the building.
Orchestra Pit and Preparation
Room Top
The orchestra pit is in front of the stage and 36 inches
below the auditorium floor level. It runs nearly the
full width of the auditorium, but is narrow (6 1/2x45
feet) and has a 15 inch raised section running 3 1/3
feet from the stage right end of the pit. There are
24 electrical outlets on three circuits in the pit for
stand lights and electrically powered or amplified instruments. The pit
will accommodate 20 musicians comfortably, 24 to 30
in a pinch.
There is a curtained railing around the pit on the auditorium
side, with an opening at the center so that the conductor
may enter from the auditorium side if desired. There
is also access from the green room in the basement.
There is a set of stairs available to run from stage
center over the pit to the auditorium. The pit is equipped
with a Clear Com station so that the conductor may communicate
with the stage manager.
The green room is a 14x19 foot room in the basement
with direct access to the pit. There are 24 Manhasset
type music stands available and 16 stand lights. Folding
chairs are available as needed.
There is an upright piano and Conn Electric Organ in
the orchestra pit. The other piano available is a Steinway
9-foot Grand stored up stage left in a piano garage.
Both instruments are maintained in good condition with
climate control equipment, and frequent tuning.
Costume Pressing Area Top
There is a 14x14-foot area in the basement equipped
for costume use. There is available an iron, ironing
board, steamer, and several clothes racks. There is
a washer and dryer across the room.
Stage Area Top
The stage is 69x27 feet, with a proscenium opening 34
feet wide. The last upstage batten (usually with a full
stage black) is three feet from the upstage wall, providing
a crossover, and the main curtain hangs about a foot
behind the proscenium. Thus, the maximum playing depth
of the stage is 23 feet. The legs (black velour) that
define stage width provide playing width of about 30
feet.
There is an additional 4 feet of playing area in front
of the main curtain. The floor at the extreme front
24 inches of this space is a grillwork covering over
the footlight trough. One can walk on it, but ladies
in high-heeled shoes beware.
Stage Floor Top
The stage floor is a 1983-built Douglas fir edge-grained,
tongue and grove surface painted gray. The floor is
not waxed. The surface flooring is underlain by plywood
over wooden floor joists.
Wing Space and Scenery Storage Top
Space for storage of scenery and set pieces is limited.
Wing space at stage right with the legs in their normal
full-stage position is 10x27 feet. The rigging lock
rail and hand lines are stage right and room must be
left for their operation. The door from the dressing
room area enters at upstage right and people waiting
to go on stage tend to accumulate here.
There is a stage manager table in the down stage area
of this space. Available at the table location is a
Clear Com station, dimmable light, work light switches,
white and blue running lights, and the paging system.
Wing space at stage left is 14x27 feet and unobstructed
except for the piano garage in the upstage left corner
(6x9 feet) and storage of the cinema speaker tower.
The top of the piano garage is available for storage
(props, cases, etc). Down stage right is the caged ladder
to the upper fly rail (a hemp system) that controls
the borders.
Directly behind the stage in the dressing room annex,
there is a small scenery storage room. This 7x15 foot
room also houses all of the theatre electrical service
panels and the dimmer banks, so only about half of it
is available. Access to this room is through a 5 foot
wide by 16-foot high scenery doorway at up stage center.
This doorway blocks the cross over space behind the
last upstage drop and makes this exit impractical to
use in the run of show unless another drop is in and
the upstage drop is flown.
Loading and Unloading Top
A 5 foot wide by 16 foot high scenery door to the outside
is upstage left next to the piano garage. This door
provides primary access to the stage for loading and
unloading of scenery and equipment from outside. This
doorway is at street level (there is a 2 inch lip into
the doorway).
Outside this door is a parking space large enough to
accommodate a small truck or van (about 30 feet maximum
length). This space will not accommodate a bus or large
truck.
There is a privately owned parking lot beyond this parking
space, and parking is available on the street alongside
the Theatre. Arrangements must be made in advance to
use these spaces. Either will permit a truck or bus
to be parked within 25 feet or so of the backstage loading
door. There is no shore power.
Rigging Top
Height from the stage floor to gridiron is approximately
50 feet, with 48 feet being the maximum height to which
scenery can be flown. Primary rigging is T-bar counterweight-rigging
sets manufactured by Tiffin Studios, with 4 cable lines
per set.
Each set has a maximum rated capacity of 1000 pounds.
The locking rail and control lines are located stage
right at floor level. The hemp running lines were replaced
in 1999 with synthetic running lines. There are 28 line
sets total. Battens are 44 feet long, schedule 80, and
1½-inch diameter pipe.
In addition to the counterweight lines, there are 6
hemp sets operated from a fly gallery platform 30 feet
above the stage floor, stage left. Each of these sets
is rated at 300 pounds maximum load. These lines are
used for the three borders, the small movie screen,
an upstage storage, and one unused. The travel on these
hemp lines is limited and only experienced fly persons
are allowed to operate this system.
Stage Curtains Top
The basic stage curtains, used for framing the stage,
are black velour. There are 4 sets of legs and borders,
plus 2 full width drops and a traveler, plus the main
curtain (which is orange flame). The black traveler
doubles as one set of legs when open, and the main curtain
serves as the first border when open. The normal trim
height is 16 feet. The normal hanging plot is as follows.
| |
-3 |
Foot Lights under steel grate |
| |
-1 |
Thrust |
| |
0-0 |
Plaster Line |
| 1 |
0-9 |
Main Curtain - Guillotine |
| 2 |
2-0 |
#1 Electric 24 Circuits |
| 3 |
3-0 |
Open |
| 4 |
3-9 |
#1 Leg Olio Traveler Black |
| 5 |
4-6 |
Scope Movie Screen |
| H1 |
5-0 |
Black Border Rope Line Stage
Left |
| H2 |
5-9 |
Movie Screen Dead Hung Stage
Left |
| 6 |
7-0 |
#2 Electric 12 Circuits |
| 7 |
7-9 |
#2 Black Legs |
| 8 |
8-3 |
Open |
| 9 |
8-9 |
Open |
| 10 |
9-3 |
Full Stage Black |
| H3 |
9-6 |
Dead Rope Line Stage Left |
| 11 |
10-0 |
Historic Drop - Vaudeville |
| 12 |
10-6 |
Open |
| H4 |
11-0 |
Black Border Rope Line Stage
Left |
| 13 |
12-0 |
#3 Electric 12 Circuits |
| 14 |
13-0 |
#3 Black Legs |
| 15 |
13-6 |
Historic Drop Street Scene |
| 16 |
14-3 |
Open |
| 17 |
15-0 |
Red Drop |
| 18 |
15-6 |
Open |
| 19 |
16-0 |
Open |
| H5 |
16-6 |
Black Border Rope Line Stage
Left |
| 20 |
17-6 |
#4 Electric Cyc Lights |
| 21 |
18-6 |
#4 Black Legs |
| 22 |
19-0 |
Breeze Point Drop (may be removed) |
| 23 |
19-9 |
Open |
| 24 |
20-9 |
Open |
| 25 |
21-6 |
Open |
| 26 |
22'-3 |
Open |
| 27 |
23-0 |
White Cyc |
| 28 |
24-0 |
Full Stage Black |
| H6 |
25-0 |
Dead Rope Line Stage Left |
| |
27-0 |
Upstage Wall |
The borders are on a hemp and sand fly system. They
can be trimmed but cannot be brought to stage level.
The Theatre does not like the historic drops to be moved
due to their age and would appreciate plots being designed
around them. The Scope movie screen cannot be moved.
Stage Lighting Top
There are four on-stage electrics, mounted permanently
on counter-weighted line sets 2, 6, 13, and 20. There
are 24 circuits and the number one electric and 12 each
on the other three. There are two floor pockets and
two upstage wall boxes surrounding the playing area.
There are also two floor pockets with edison receptacles,
110ac. The standard lighting plot is included.
The dimmers are Strand Century CD80 dimmers. They are
2 dimmers per module at 2.4K each, with 96 dimmers available.
Two modules have one dim and one non-dim circuit. The
two non-dim circuits are set to the upstage wall, but
they may be moved to any location. They are wired as
a dimmer per circuit system with pigtails on the four onstage battens and sockets on
the two wall positions and the booth wall.
The following lighting installations are available:
16 each 8 x 13 Strand Century 1000 watt ellipsoids separately
circuited mounted front of house on pipe stanchions
on the walls at each side of the balcony. 8 each ETC
Source 4 19° 575 watt ellipsoid on two circuits
mounted on the ceiling in front of the booth wall. 5
each Strand Century Iris Cyc Lights 3 x 500 watt mounted
on the fourth electric. The following additional instruments
are available and some are hung in the standard plot
as described below.
6 each Strand Century 1000 watt 6 inch fresnels. 12
each Altman 500 watt 6 inch fresnels. 10 each 65Q 6
inch Altman 750 watt fresnels. 8 each 75Q 8 inch Altman
1000 watt fresnels. 22 each 360Q 6 x 9 Altman 750 watt
ellipsoids. 24 each 360Q 6 x 12 Altman 750 watt ellipsoids.
24 each 360Q 6 x 16 Altman 750 watt ellipsoids. 4 each
1KL6 50° Altman 1000 watt ellipsoids. 3 each 1KL6 40° Altman 1000 watt ellipsoids. 6 each
1KL6 30° Altman 1000 watt ellipsoids. 4 each 1KL6
20° Altman 1000 watt ellipsoids. 15 each 1KL6 20-40°
zoom Altman 1000 watt ellipsoids. 31 each 1000 watt
wide pars.
Two each Lycian short throw follow spots located in
a booth at the rear of the balcony. The lighting control
board is a Strand Lighting LBX Genius located in the
same booth. The board is currently programmed as a 36
channel two-scene with 24 submasters. Dimmers are soft
patchable and cues may be set.
View
Lighting Diagram
The standard lighting plot has a warm (R33) and cool
(R60) wash from the booth wall and the side balcony
walls covering the front of stage. 4 9 x 12 ellipsoids
are also hung on the balcony walls as a center special.
The warm and cool washs are continued from the #1 electric
with 3 each 6 x 9 ellipsoids per color with frost pointed
upstage.
The stage is down lit warm (R02) with fresnels. 6 each
1000 watt 6 on #1, 8 each 1000 watt 8 on
#2 and 8 each 750 watt on #3. The cyc is lit red (R124),
amber(R20) and blue (R80) and a par back wash in red
(R26), amber (R21) and blue (R68) is set. Pipe end side
light is set on all four electrics. Center specials
are set on #1 and additional specials are hung on both
#1 and #2.
House Light Control Top
All auditorium house lights are on a keypad system.
They are located in the light booth, backstage right
wall and lobby area. There are settings for Movie, Half
House, and Performance.
Sound System Top
The theatre has excellent natural acoustics and sound
reinforcement is often not needed. However, there is
a sound system available. The 48 channel Soundcraft
K2 mixer is mounted in a balcony booth with the amp
rack and patch bay located in a balcony top-rear room.
There is a hard-wired snake going to front of stage,
stage left and right, and upstage left and right. It
terminates at a patch bay in the sound booth and an
additional patch bay in the amplifier room itself to
accommodate needed patching.
Three sets of Electro-Voice Sx500 speakers are located
in the organ chambers on each side of the auditorium
in a mono left/right setup and one Electro-Voice x300
speaker on each of the balcony lighting stanchions.
They cover the auditorium in four zones: Orchestra,
rear auditorium, loge and rear balcony. Additional zones
include a new (2004) under balcony fill consisting of
16 Electro-Voice EVID 8.2c and a pair of EAW JF 80 mounted
to front lip of the stage below the stage just below
the stage level. Each zone is controlled, equalized
and time aligned via an Architectural Acoustics Media
Matrix system that is not user accessible.
Four Crown Macro-Tech 24x6 amplifiers power the main
Sx500 speakers. A Crown CTS-600 is used a on the under
balcony fills while a Yamaha powers the JF 80s. A Crown
DC-300A2 amplifier with Rane 27 band equalizer powers
the two monitor sends. Monitor one is downstage on both
sides and two upstage left and right. There are two TOA SM-60monitor speakers. Also
a pair of Peavey 112DL fill speakers are available.
There is a wireless system in the theatre. One eight
channel Shure U Series and one 8 channel Shure ULX with
distribution antennae systems. Both systems have distribution
amps and cover the whole theatre. All 16 transmitters
are equipped lapel mics. Tlhere is one wireless handheld
mic. There are 5 Shure SM58 mics, 1 Shure SM57 mics,,
1 Crown PZM mic, 4 Audio Technica boundary mics, and
3 choral mics. A variety of cables and stands are available.
The lighting booth has an independent sound feed of
the house system with its own volume control.
The front of house console area is located in the center
of the balcony just behind the loge section. It has
a full view of the stage and a full aural view of the
main clusters. This area includes user accessible 31
band equalizers for the House, Front Fills, Monitor
one and Monitor two via an Ashley Protea 4.4G equalizer.
There is a Yamaha SPX2000 mounted in the three 20 space
racks built into the architecture behind the engineer.
Playback is available through a Sony CD/Minidisc combination
unit. This will record Minidisc, but not CD.
The secondary front of house area is comprised
of a Mackie DFX6 mixer mounted on the wall next to the
lighting console to be operated by the board operator.
This mixer has complete accessibility to all snake lines
and wireless microphones. This mixer can feed the main
rig, the front fills and monitors. The DFX6 is limited
to four channels of operation.
Also available and mounted in the amplifier room is
a William Sound FM wireless listening assistant system
with eight receivers with earbuds. This system is feed
directly from the main processors.
There is a Fender Passport portable Public Address system
that can be used.
Intercommunication
System Top
The theatre is equipped with a Clear Com 2-channel intercom
system. The A channel feeds the box-office and backstage
landing. The B channel feeds the lighting booth (2),
the sound booth, the pit, stage managers table, pin
rail, stage left and upper pin rail. There are a total
of 4 headsets for use at these stations.
Emergency Telephone Numbers Top
Emergency telephone numbers are posted on the bulletin
board backstage and in the box-office. They are:
- Ambulance 723-3550
- Hospital 723-3300
- Police 723-2700
- Fire 723-4200 or 723-7100
- Emergencies 911
Rules and Regulations Top
One rule we enforce strictly is the prohibition of smoking
in the theatre. This is an over 125 year old building
with wooden floors, gridiron, and roof beams and would
be very susceptible to fire.
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Our Technical Director is Barb Crowley. Please contact
her at
Barb Crowley
countryhome@atlanticbb.net
814-723-6564 home phone
814-688-1590 cell phone and text
1132 Quaker Hill Road
Warren, PA 16365
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